As you probably know, Berserk is one of the most well-respected and loved manga series off all time, being serialized for over 27 years. With an anime adaptation made in a late 90’s and its three remake movies that came out not too long ago, Berserk’s well-known flashback arc got a complete adaptation, even if it wasn’t the most loyal. But never has Berserk got an adaptation of everything that happens after the events of the Golden Age arc, until recently that is. The 2016 anime adapts its sequel arc, the Conviction arc (albeit skimming its introductory arc and cutting out a filler mini-arc). Thoughit may not be the adaptation fans were hoping, and it sure isn’t getting much praise, I found it hard not to enjoy this adaptation, even with its obvious flaws. Despite the amateurish directing, inconsistent pacing, and some horrid, horrid CGI animations, the anime is able to overcome its flaws with good characterization, great style/tone and some amazing background music. No matter how bad an adaptation Berserk gets, nothing can overshadow Miura’s talentless writing and world-building as long as it’s adapting the manga.
~{Story}~
A popular misbelief amongst newcomers is that the new Berserk anime is an alternate version of the previous adaptations, and that you can watch it without watching the previous ones. That is absolutely false! This adaptation is a sequel to the Golden Age arc so unless if you haven’t watch the 90’s TV series or the three CGI movies, you better watch those first. This is the first time Berserk got an adaptation of what happened after the events of the Eclipse and how Guts’ revenge went. The story of the Conviction arc is about the now “branded” Guts finding the now “vegetable-state” Casca while fighting against a religious cult and a whole lot of Apostles that will hunt Guts down until he’s dead. It’s a nice follow-up to the dark and disturbing end of the Golden Age arc which focuses less on a Guts who wants to find out what he values, and more on the Guts who wants to protect what he values the most. Though the story doesn’t feel as impactful and enjoyable as how it was depicted in the manga due to its directing problems and weird pacing. And the animation quality sure didn’t help either. But due to Miura’s excellent writing in the manga, even a mediocre adaptation can’t cover up the good things Berserk has to offer.
Story: 7/10
~{Presentation}~
Despite the remarks others make about this adaptation, this is actually quite a loyal adaptation of the Conviction arc. Not much of that arc was actually cut out, but pacing was quite uneven. Some episodes adapted more chapters than other making this adaptation somewhat a bumpy ride. But other than that, the anime did the same thing the manga did. There’s one change in the location for the third episode though, but nothing too jarring. However, a mini-arc that takes place prior to the Conviction arc was skipped, although the skipped mini-arc plays no major role in the overall story. And the Black Swordsman arc got skimmed… again! But again, it doesn’t make a big difference. But the biggest problem with this Berserk adaptation is the directing. Despite the fact that the style was just like the manga and the tone is similar to manga (including the lighthearted moments too), the way the anime was presented felt weird to say the least. Due to the lack of proper transitions between scenes, it feels like as if the anime is jumping between scenes, and it makes the overall experience feel jarring. And although the comedic moments are the same as the manga, the tonal shift feels jarring in the anime. But this is a common problem between many manga adaptations where the comedic panels can’t be properly placed in a serious situation without feeling jarring. Also, some of the cinematography in the anime is weird too. The close-ups for the character faces are a little too close up and the camera moves around too much during action scenes, making it a little nauseous. However, whenever the camera follows the Dragonslayer, it’s pretty damn cool.
Presentation: 2/10
~{Character}~
The anime doesn’t waste time on characterization for Guts since it assumes you’ve watched the Golden Age arc (and you should before watching this anime). Guts, who is now branded for restless nights of being hunted, is now bloodthirsty to kill the person who he once considered his first friend and the first person who truly understood Guts. The story of Berserk has always been about Guts and this anime is no exception. Guts is already a well-developed character by the start of the series, however he gets more improvements to his characterization. This anime establishes that Guts is more than a man with a vengeance, but also a man willing to protect the only thing he loves. The other major returning character is Casca, a once strong-willed woman who is now mentally broken and unstable. There’s not much to develop for her character due to her current state, but she’s relevant for the plot. A character that was cut out from the 90’s adaptation makes a debut in this series. Puck, who was originally cut out do to him being a comic relief character, now is in this anime to add a bit of humor and commentary. His character is handled faithfully and his chemistry with Guts is fun. Also, due to a mini-arc that develops on Guts and Puck’s relationship being cut out, the relationship feels a tad weaker compared to the manga. Talking about comic relief characters, and new character named Isidro is introduced and he’s a nice addition to the comic relief. He’s not a complex character or anything (well not until the next arc), but he’s enjoyable and he’s fondness for Guts is adorable in some sense. Two other major characters are introduced, Farnese and Serpico. Farnese is a character who is deeply delusional about her religion and finds herself in stuck between two choices. Serpico on the other hand is more of a man how takes things logically and uses hits wits over his strength during combat. Both characters are nice additions to an already great cast.
Character: 7/10
~{Art}~,
With its CGI animation, it is to be expected that the art will lack a great deal of detailing. Character models are what looks the worst as they’re the ones that are animated using CGI. Outfits look fine, and Guts’ armor looks pretty good, but the character faces looks bad. Due to the lack of detailing, character expressions look plain, unexpressive, and downright weird at times. And the anime using hatching as shading (lines) and it works well when in manga format, but it’s distracting in anime format. The studio thought that hatching can add some volume to their bland character models, but unfortunately it looks worse. Most of the backgrounds are 2D instead of 3D and the contrast of quality is visible. Many of the backgrounds are quite pretty, especially the insides of buildings. The lighting is also quite good, but some shadows can look a little weird. Sometimes 2D art is used for characters for tiny moments to add a greater affect and these moments look quite good. If only the entire series had that art quality.
Art: 3/10
~{Animation}~
Some studios tend to use CGI to makes sequences looks smoother and more fluid, in sacrifice for art quality. The new Berserk anime sacrificed its art quality, while managing to make their CGI choppier than imaginable. The lack of smoothness isn’t entirely bad during normal scenes, but during action-scenes (which is most of the series), it ends up being headache-inducing. But it’s not just the choppiness that’s the issue, but also the cinematography too. Too many zoom-ins make it hard to see what’s actually going on and the camera movies to much during action sequences. There are “still-shot” moments where only some things are animated, while somethings are not, and these moments can look quite distracting. For example, in episode 2’s first fight, after Guts cuts down countless knights in one strike, many of the surviving knights looks at Guts in shock. During this moments, none of the knights are actually animated and are still and the same goes for Guts too, yet the wind is still blowing Guts’ cape and it just looks really weird. Whenever the 2D moments happen, they aren’t really animated much, except for their lips moving while they’re talking and that’s it. And the 2D backgrounds too can also look quite static.
Animation: 3/10
~{Voice Acting}~
Many of the seiyuu from the Golden Age movie trilogy lend their voices in this anime. Iwanaga Hiroaki returns back to voice Guts and he’s just as good as he was in the movies. His voice is quite similar to Ono Daisuke’s, but he can add the coarse feel of Guts. And he’s able to make Guts sound super badass too! Yukinari Toa returns to voice Casca, and even though her character doesn’t have much to speak, he does a good job in what she has to do. And Sakurai Takahiro (who seems to be everywhere recently) returns to do Griffith and does a great job… but too bad you’ll only get to hear him say a couple of lines. Hikasa Yoko does a great job as the religious and somewhat weird Farnese and Okitsu Kazuyuki does a very good job as Serpico and his sarcastic tone works well with his character. Mizuhara Kaoru makes Puck sound exactly as I how imagined it to be and Shimono Hiro, though sounding too old for his character, does his best as Isidro.
Voice Acting: 7/10
~{Music}~
The best thing about the previous Berserk adaptations were its music and this anime is no exception. As a matter of a fact, it’s not farfetched to say that this adaptation has the best background music when compared to the previous adaptations. The OP, “Inferno”, is pretty good and catchy and it matches with the new tone of Berserk. The lyrics in general are quite good. The ED, “Meimoku no Kanata”, is a great song with great vocals, but it doesn’t completely suit Berserk and something else, something more depressing would’ve been better. But the adaptation’s biggest strength it its background music and insert songs. First of all, Hirasawa’s new song for Berserk, “Hai Yo” is fantastic. I personally believe that its better than “Sign” and “Aria”, and it’s on the same caliber as “Forces”. It’s used quite a lot, but it never gets boring. Then we have Hirasawa’s second insert song “Ash Crow”, which is only used once, but it’s great and it works well (Note: Hirasawa’s newly released album features the two insert songs, a really dope mix of “Forces” and some other well-known Berserk songs. Be sure to check that out). A lot of the background music are remixes of the movie trilogy’s OST. The “Blood & Guts”, “My Brother”, and “Griffith's Dream” are fantastic and some of the techno music in the series only adds to action.
Music: 8.5/10
~{Enjoyment}~
This may have not been the adaptation people were hoping to see, but even with such a mediocre adaptation, quite a lot of enjoyment was found to be seen. Even though a mini-arc skipped, what was adapted was adapted well. Some messy directing and haphazard pacing ruins the experience. And the CGI animation quality looks pretty bad most of the time. Miura’s original writing still shines through these issues and the music just makes things better. It’s nice to have more of Hirasawa’s music and those Golden Age OST remixes are great. And when the 2D style is used, it looks nice. But only in a perfect world many we ever get the Berserk adaptation we wished for.
Enjoyment: 4/10
In the end, this new Berserk adaptation is only recommended for those who can withstand the mediocre art and animations and inconsistent directing. As an adaptation of the Conviction arc, it was quite loyal despite its weird pacing and lack of proper transitioning between scenes. The new characters that are introduced are handled well and the voice acting is great too. And even if you get nothing out of this adaptation, you still have Hirasawa’s godly insert songs and great Golden Age OST remixes to listen to while Guts cuts down countless men and supernatural creatures. And unlike most people, I can’t wait to see the next arc adapted next spring!
+ A loyal adaptation of the Conviction arc with no important moments being skipped.
+ Both the returning and new characters are great and well-handled.
+ Berserk’s tone, style, and (new) comedic relief is handled well.
+ Great remixes of older Berserk OSTs and Hirasawa’s two insert songs are fantastic.
- Amateurish directing at some points and inconsistent pacing ruins the experience
- Lackluster CGI animations, which feels even more jarring when contrasted with its 2D backgrounds.
Overall: 5.3/10