Kami-tachi is a bit of a difficult show for me to review. Overall, I was impressed with the show and, during the early stages, was even convinced it'd be one of my favourites in the last year. So then, "why is it difficult to review"? Well... You know that feeling you get when you really like a story and it's turning out way, waaay better than you could have ever predicted or imagined, but then after becoming disillusioned, it starts to resemble what you initially expected & seemingly drops the ball for inexplicable reasons? You know that unreasonable spite you feel towards it, no matterhow self-aware you are that it's not the story's fault for any resentment you feel from the resulting emotions? Well yeah: Kami-tachi did this to me, so despite me being really happy that I got way more out of this show than I ever expected - especially after reading the source-material recently by coincidence - I'm still left this this bitterness & confusion over how exactly an 8/10 piddled down into a 5/10 in such a smooth and effortless manner.
Welp, let's break this down~
The show started off extremely strong - and I really mean that. By rephrasing the source content in an extremely-proficient manner, it managed to even out-do the manga by how it maximised the advantages of a medium with sound, colour, and flowing visuals at its disposal. The show started off so strong that, up until the 5th weekly release, every episode had me either shed some tears or just outright cry from how expertly and convincingly they delivered the backbone of our protagonist's hardships - including the caveat for the show's title. By this point, I was honestly giving the show an 8/10 and even defending its criticisms online (boy, did those memories age well...), thinking "this show was hand-moulded for adults like myself who have overwhelming sympathies for the regular & mundane stresses of a soft-hearted & well-adjusted (for better or 'worse') man's life". Wholeheartedly, I was singing praises for the entirety of the production through these episodes as they felt like not a single element had been overlooked nor neglected - be it the music, the sound effects, the simple gestures often overlooked in cheaper productions & the body language in even mundane scenes, the choreography, or even just 'ambient music' in the background. Of course, even if the production was making many subtle changes to the source material by this point, it didn't feel like there was cause-for-concern yet as it'd all worked out for an impressively-articulated story thus far--but ya know, there was a commonality between all the "artistic liberties" made thus far, and that was called 'Family Scenes', which brings us to the crux of both 'what this show did well' and, simultaneously, 'what this show really needn't have done at all'...
You see, the whole backstory of our MC, going by the 'source material'*** [NOTE FOR LATER], is that: here you have a guy who's pushed by society & those close to him (with the exception of his mum) to conform to a life that generally contradicts his nature as a person - often as a result of mistreatment from either the people around him that are meant to care for him, or from society itself misjudging him as a result of all the metaphorical "scars" that he's built up from the bombardment of [not-so-much "his"] life.
Honestly... this may as well be hand-crafted to trigger male-adults as it's pretty hard not to empathise with one aspect or another of his tumultuous journeying (and thus why I found myself with a wet eye or two by the end of every early episode). The thing to note here, though, is: 'his Redemption journey' and 'his character growth' aren't strictly related to just the 'Family Scenes' in the source material, but more the product of everything he's meant to experience. Due to this somewhat "oversight", though his Redemption Arc starts off strong, we aren't yet to know that it'll run into some troubles down the line.
Still though, by this point, the production and staff had really shown off exactly how "well" they understood the source material and how invested they were in telling what should have, by all rights, been just a 'mediocre isekai'. The music, scoring, and sound effects were, as I said earlier, on-point and fit the scenes and themes perfectly, right down to even the ambient music that was only meant to function as a sort of "glaze" for binding visuals and dialogue to the 'fantasy-paradise theme'; the scenes that weren't meant to have much going on in them even had subtle embellishments like facial movements to indicate 'body-language', along with a certain-amount of attention even paid to sprucing up exposition or mundane dialogue; heck, I could even tell that a decent amount of work had gone into the pacing of the Story-Boarding as there were a lot of subtractions and additions from the source-material that didn't feel arbitrary in the slightest.
All of the aforementioned was certainly above-and-beyond what anyone could expect from what anyone was expecting--but, sadly, the part where I say "all good things must come to an end" unfortunately is occurring well-before the finale of this season...
What started as 'revisions of the source material for perfecting delivery' soon turned into something more likening to... "the departure of a muse"? Honestly, if I was told that their director and/or the majority of their scripting team was switched-out at around the mid-way point of the series, I'd buy it without question. Changes to the source material began to be detrimental to the story, the pacing of the show shifts from 'something akin to Redemption' into "Anime-Wholesomeness Incarnate", and the Story-Boarding very-obviously takes out much of the in-dispersed "Pallet-Cleansers" that the inherent story used to balance all of the themes in order to keep things fresh.
Here's some examples: one of the consequences of readjusting all the focal points to be on the "Kami-tachi ~Family Experience~" is that, our protagonist comes off almost-entirely as a 'reactive' person who's incapable of being proactive let-alone accomplishing anything on his own. See, even if the narrative phrases his past-life as an overall negative experience, it still uses it as a justification for why he's so "physically-capable" - something that was lost with the adaptation here. This omission doubles down on itself as a 'mistake' when most of episodes 6 through to 9 repeatedly shows an "awkward protagonist" who is shaped by the words of those around him without anything but exposition and awkward, deflective chuckles leaving his mouth. With all the 'cannon' action/adventure scenes relinquished from their significant roles of demonstrating both independent decision-making & consequences for such, it instead feels like a protagonist that's being led by the nose into wholesome environments rather than someone who's earned the life & connections they wanted--which normally would be a forgivable oversight in most stories if it wasn't for the fact that this entirely contradicts the essence of the core narrative, "to live your life the way you want to - being yourself, your best self". Even if this adaptation is more 'concise', it really suffers for it.
Another example: remember those *** I left earlier? Yeah, those were because the anime leaves out the entire latter-half of the MC's backstory, that which outlines a rather significant part of his relationship with his mum as well as how his life turned out the way it did in the long run--they entirely left out his dad. Even till this point, I'm wondering if I'm somehow just mistaken about the order of events in the source-material, because "suuureely they wouldn't just skip probably the most significant part of his life's tragedies"?
Like I said, just as how they omitted nearly-all of the 'combat-orientated' events and character-building of our MC, I got the impression that they swept the entirety of the source-material with a biased lens of "wholesomeness & family", as all of the material subtracted from the show all pertains to 'combat', 'emotions of aggression & healthily resolving such', & 'being an independent functioning member of a fantasy society who is capable of independent, proactive action'.
Vice versa, they pulled in later chapters that involved 'in-adverse socialising' and 'family'. Although I can see why they did this, the problem was that the original story never opted for this pathway because of how imbalanced it made the development of our MC--so even if I can "understand", I also "absolutely disagree" with the final concoction.
... Speaking of final results though, I might add: none of my critiques are really aided by the fact that the 'finale' of the season, the last 2 episodes, essentially feel like a single episode that's stretched over double the time. Especially regarding the final episode: the tone, humour, pacing & patterns of dialogue, even the fundamental story-boarding, it all feels completely unlike all 11 preceding entries. Heck, if I were to use one word to describe the final episode, it'd without-a-doubt be "ham-fisted" - be it the entire script, or just the sudden appearance of 'romantic humour' that hadn't been apparent anywhere else in the season. If I wasn't immersed in frustration during Ep 12, then I was cringing - there wasn't much between, unfortunately. Terrible way to conclude an-otherwise decent season...
All in all:
The changes that were made did lead to a tidy season that finalises our MC's Family Arc, but since it neglected so much of the "hand-in-hand" maturing-elements of our protagonist as well as a the alternating tonal themes that were meant to keep all of the narratives fresh & away from repetition, we instead got the metaphorical equivalent of a "circular sculpture that used to depict a detailed face, 'refined' merely to resemble a perfect sphere" - sure, things ended all nice-and-tidy, but boy did we lose a lot in the process...
Final Results
Story: 4
Art: 7
Sound: 8
Characters: 4
Enjoyment: 6
Overall: 5.5
By Isekai standards, this show is decent and it's still worth a watch, especially if you're not familiar with the source material--but certainly, even if I remember this show fondly, I'm still going to be upset in imagining exactly how great of an Isekai Masterpiece this could have been.